![]() And convincing myself that nothing was wrong kept me thinking that this was my life and always would be. But living with a fear of failure that kept me from taking risks and kept me unsatisfied and disappointed in myself, I was afraid of even confronting the fact that something could be wrong. It registered to me that I was using Llewyn as a sort of warped mirror - the cyclical frustration and sadness that I saw in him was how I saw my own life. I found his eternal sorrow and continual lack of success personal I found it relatable. Llewyn is blunt, bothersome and selfish, yet he commands your unwavering sympathy every time he fingerpicks his Gibson L1.Įventually, I realized that what continually hooked me into the movie was more complex than just empathizing with his plight. I found Oscar Isaac’s performance as the titular character beautifully layered. And it was simply perfect the second time around. Llewyn, throughout all his varying escapades, carries a sadness that has no hope of vanishing.īut eventually, something about that sadness stuck with me, and I couldn’t get the movie out of my head. In my first viewing, I was waiting for the emotional catharsis. But, at least at first glance, it can develop into a needless montage of pain with principal character Llewyn Davis (Oscar Isaac, “Dune”) bouncing from loss to loss and looking for any inkling of success. I found that it needlessly meandered and ultimately led to a melancholy that at the time I thought wasn’t earned.Īesthetically, the movie is very accessible with its sincere folk music and charming lead. But when I first saw it, I didn’t particularly like it. Like “ Goodfellas” and “ The Matrix” and “The Empire Strikes Back,” it’s a movie that, if I attempt to watch just a five minute scene, I’ll end up watching it all. ![]() “Inside Llewyn Davis” is a movie that I have always found myself coming back to.
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